Edited by Jenifer Smith and Mari Cruice
Call for papers
Writing might be seen as the most dangerous part of the English curriculum, where individual students can express themselves in ways that are their own – and which may not conform to adults’ expectations. In the 1790s, Hannah More, an influential figure in the establishment of Sunday schools for British working class children, insisted that pupils should not be taught to write. It was not until the twentieth century that “composition” was considered appropriate in the secondary school curriculum, and then at first only for older pupils. This issue comes at a time when the notion of creative writing as a discipline is seriously contested: a high stakes testing regime in several English-speaking countries challenges the validity of subjective judgment, and the UK government recently closed down a new national course for A level (senior secondary) students as insufficiently rigorous. At the same time, undergraduate courses in creative writing flourish. How can the committed teacher and writer best respond to these new times?
We say “teacher and writer” because many believe that a successful teacher of writing should have confidence in and be conscious of their own writing practices. In the UK, NZ and the US, National Writing Projects related to English subject associations hold regular workshops and courses where teachers can explore and experience the process of writing. Such workshops open numerous questions for organisers and participants. Where does writing come from? How far does it depend on unconscious processes of language, and what is the place of explicit instruction? How do we learn from other writers? How do young writers come to understand how writing can work for them and what role does assessment play in that? What is the relationship between the critical writing about other writers’ texts required of students in English (and other subjects) and their own production? How far does the critical/creative binary support good practice? Such questions will doubtless be discussed by contributors to this special issue. In the spirit of such work, we invite submissions of poetry and prose with or without accompanying meta-cognitive reflection.
We hope, even in present circumstances, that this issue will confront and celebrate writing and the teaching of writing as it is now, discovering and rediscovering the possibilities of what writing may be; reclaiming this territory as a vital creative and enlivening human activity. We welcome submissions which engage with the ways in which writing is learned from the earliest years; with writing pedagogies; the affordances of writing; the nature of composition and of writing and thought. We welcome writing (reflective, creative, or both) from teachers at all stages of education and in all circumstances. We particularly welcome contributions from those to whom, for whatever reason, writing remains a challenging, indeed dangerous, aspect of their work.
Please prepare your submission in line with the journal’s guidelines for authors. Submissions should be made via our ScholarOne site by 7 May 2018. Please select the correct ‘Special Issue’ as the Manuscript Type.
To discuss potential submissions, please contact: